Exclusive deals, delivered straight to your inbox. No fancy switches, no extra modes, and just a standard XLR port. Warm for very great vocals. You can also call us toll free at (800) 222-4700, Mon-Thu 9-9, Fri 9-8, and Sat 9-7 Eastern. I have one of the new TLM 107 multi-pattern microphones to test, alongside the TLM 102 … Save your hard earned cash. So - if we remove the tranny, what’s left to make a Neumann special? The TLM102 is a fixed pattern, cardioid, large diaphragm condenser mic. Admittedly, for more "out in front" vocals, I chose my Rode NT1. There is no clear winner in this department, as they are both perfectly crafted pieces of studio gear and great for any home studio. You just might prefer the sound of a more ‘colored’ microphone. This is the smoothest mic that I have bought - I loved my blue microphones before but this has a silky smooth tone. But on vocals... unbelievable. The frequency response is pretty flat with a gentle presence lift above about 6kHz and it responds very well to transients. Now I wouldn't be a very good judge of mics if I didn't tell you what I thought wasn't so great about so... its rejection is awful. Neither is remotely in the “budget” category unless you compare them with other microphones from Neumann or other upper-tier manufacturers, in which case they may start to look a bit like bargains! The TLM 103 is so low noise that even the faintest nuances become audible. I know a lot of people love it on acoustic guitars, but I wasn't a fan, but thats completely my preference, I like to have "crisp" acoustics. Transformers play a large part in what we hear as classic sounds; they tend to create non-linearities in response, (distortion if we put it bluntly) and whilst that sounds like something to be avoided it can be just the thing that makes a microphone perfect for a particular job – the “mojo” ingredient. If I could choose two mics to use on voice for the rest of my life, it'd be this and my SM7. I couldn’t actually describe the difference, but there was a solidity to the recording that I simply wasn’t getting anywhere else. Its a must to have this in a good booth IMHO. Copyright © 2018-2020. Some mics were better than others, but the best two or three all sounded very good - except that in a very rough-and-ready blind test I chose the TLM102 recordings every time. With any mic, and certainly with one in this price bracket, you need to try it to make sure that YOU like the sound. 5501 U.S. Hwy 30 W, Fort Wayne, IN 46818 When I first used the mic on my voice I was not too pleased. It doesn't matter what we do, acoustic guitar, vocals the ADK smokes the Neuman. Review. Certain vocals work better in different microphones. Each mic has its own time to shine, and on loud bass and electric guitar this mic sure shined. What I like is that the mid frequencies are all well represented and therefore, it is easier to boost or cut with E.Q. The heart of a capacitor microphone is the capsule, which defines how sound will be converted to signal. Like a piano with the lid shut, its a different experience, doesn't make it bad. Smooth sound. I was hovering in the $200-$250 dollar price point. - @_madebypet, We're loving the symmetry in this sleek set up fro, We're struggling to find words to describe this st, What is the most treasured piece of music gear tha, 10 Best Mini Distortion Pedals (That Money Can Buy In 2020), I Enrolled At Point Blank Music School (Here’s My Review), 6 Of The Best Audio Interfaces For Beginners (2020), Fusing Sound Design & Architectural Principles (Interview With Ténèbre), Empowering Communities Through Knowledge Sharing (Interview With Stranjah), It’s All In The Details (An Interview With Objectiv), 11 Organizations Making A Difference To Music & Mental Health. Tried out in local retail stores about a dozen for what would sound best and give me the most range. If you’re driving legendary high end SSL preamps, this might not be much of an issue, but this 6dB could mean a world of difference through a less than average preamp. Buy it. I have been through a ton of mics lately and this thing hangs with mics 2-3 times its price. Having a richer full-end doesn’t necessarily warrant you shelling out double the money. Thus, it is perfectly suited for vocals and audio drama productions in high definition as well as for demanding samples production and instrumental recordings. Sweetwater Sound It’s an easy decision, and the TLM-103 (check out user reviews here) is the clear winner out of the two. I state this is insignificant because unless you are recording sounds over 138dB (unlikely if you’re using this as a studio microphone), the max SPL is more than sufficient regardless. , It's not for everyone. In use? Gear Acquisition Syndrome: Confessions Of A Compulsive Gear Head, How To Make A Mix Sound Wider (9 Practical Stereo Width Tips), Reverb Cheat Sheet (A Complete How-To Guide), Mixing Low End (8 Tips For Bigger, Bolder Bass), Dynamic vs Condenser Mics (Breakdown Of The Differences), Neumann TLM 102 vs TLM 103 (Comparison + Differences), Rode PSA1 Review (Best Microphone Boom Arm Ever Made? This Neuman isn't in the category of other Neuman mics. I have an ADK S51 that was $199 and it blows the Neuman away in my home studio.