Wassily Kandinsky’s Untitled Watercolor on canvise 855 x 572 1910 is considered by art historians to be the first purely abstract painting. ‘First abstract watercolor’ was created in 1910 by Wassily Kandinsky in Abstract Art style. This pioneering watercolor, although among the first of its kind, in fact post-dates by three years a series of large-scale non-representational paintings by the Swedish artist Hilma af Klint. (2 votes, average: 5.00 out of 5) By signing up for this email, you are agreeing to news, offers, and information from Encyclopaedia Britannica. In his abstract painting he brought the original force of colour and composition without the distraction of mapping of object effect. With his first abstract watercolor, Kandinsky raised eyebrows in 1911. Be on the lookout for your Britannica newsletter to get trusted stories delivered right to your inbox. af Klint's continuing obscurity, in spite of her undeniable place as the earliest European artist to embrace extreme abstraction, reflects, at least in part, a continuing reluctance within the art-critical community to cede this distinction to a Swedish woman who did not participate in the wider modernist discourse and whose imagery may be more easily tied to spiritualist interests than theirs. The watercolor is the first extant entry in Wassily Kandinsky's parallel series of abstract "Compositions" and "Improvisations" that began to emerge during his Blue Rider Period. The first abstract watercolor by Vasily Kandinsky. Premium Membership is now 50% off! SHIPPING: Processing time takes On the basis of research done in the 1950s, however, this work can be dated somewhat later and can be regarded as a study for the 1913 Composition VII; and in any event it must be considered merely an incident—among many for…. 19.5 × 25.5" (49.6 × 64.8 cm) Paris, Centre Georges Pompidou src: www.bonsai-art-museum.jp Bonsai ( ?? The first abstract watercolor by Vasily Kandinsky. He attended the University of Moscow, focusing his studies on economics and law. Untitled (First Abstract Watercolor) 1910. Kandinsky's work from the first decade of the 20th century displays a fair degree of progressive continuity away from the representational traditions of Western European art and towards pure abstraction. For some, he was a revolutionary, while others considered him insane. Summary of Wassily Kandinsky. …and commonly referred to as First Abstract Watercolour. First abstract watercolor. DESCRIPTION : Perfect to give as a gift to friends and love ones. High quality prints professionally printed in a 8.5 mil, 180 gsm paper with a glossy finish. Watercolor and Indian ink and pencil on paper. Abstraction ultimately becomes Kandinsky's distinctive style although for a few years he continued to produce realistic … Kandinsky, Composition V, 1911. If you’ve studied any art history, you might well name the early 20th-century Russian painter Wassily Kandinsky (whose first abstract watercolor from 1910 appears at the top of the post). His first abstract watercolor appears to be his first purely abstract work, and may be the first purely "abstract painting" as abstract painting later came to be understood (as a culturally significant form, as opposed to "mere ornamentation" created as a decorative element within architecture, written works etc.). This painting freed Wassily Kandinsky's first abstract watercolor, painted in 1910, is one of the first artworks to emerge from the representational tradition of Western European painting entirely, shedding references to well known forms, conventions of material representation and all narrative allusions. Wassily Kandinsky was born in Moscow in 1866 and died in 1944 in Neuilly-sur-Seine, France. Kandinsky was the first to create a work of art outside Western European traditions. This work is interesting because it is the artist’s first non-objective work and has no official title. The watercolor below is known as First Abstract Watercolor. Contemporary with Cubism and Futurism and the increasingly abstract work of Delaunay, Kandinsky's are generally understood as one element of a more general and distributed transition to abstraction. Printed in Toronto, Canada. The issue is particularly contentious within the art community because modernism, by definition, ascribes value to a work on the basis of novelty or originality, thereby giving great weight to the question, 'Who painted a non-representational picture first?'.